Pero, fuera lo que fuera que estaba destinado a la crónica de la matriz de seguidores que ha cosechado por su pueblo en las últimas dos décadas. (Ahora, Rosa es una mujer astuta maya pero “Powerpoint” no forma parte de su léxico diario.) Ella permanecería misterioso sobre qué tipo de pantalla que estaba pensando. Además, Rosa quería que yo para ayudar a poner parte del espectáculo juntos – por un tiempo, allí, ella parecía estar pidiendo una especie de presentación en Powerpoint. Esto significa que debemos estar preparados para adaptarse en marcha en nuestro traje Totonicapán y listo para bailar el Baile de Bienvenida maya cuando los invitados especiales llegaron a Patanatic. Ella nos dijo semanas antes de que habría una exposición de sus proyectos como parte de la bienvenida formal. Rosa García-García estaba ocupado preparándose para sus visitantes septiembre de Feed the Children. In this esteemed company, I was very surprised to also be honored for escuela de globos. The bird promptly pooped – a sure sign of good luck. When it came time to give Karina Reyna, DVM her memento, Rosa perched a chicken on her arm as tangible proof that the project had succeeded. Odila wore her grandmother’s tocoyale and MC’ed she called for a different person to recognize each recipient. By way of thanks, Rosa explained her projects and the honorees would receive their gifts. The guests would see the women’s dance complete with younger women strewing rose petals and, then, the children performed their snappy quadrille. The mushrooms, medicinal/spice plants, cucumbers and the chickens are vintage 2012 and all would be very large when printed our on a one meter square poster. So, we laid in a photos of Marianne Wise and Rosa holding up an early Rag Rug from 2005 and women working at sewing machines dating from 1996. These were ladies in a hurry but, somehow, Odila was dispatched with some reluctance she would guide me in making the graphic. They needed to emblazon words of thanks on each piece in the small stack of stripped and pattered cloths along with everything else that had to be done over the next few days. She, Odilia and Wendy were there marking-up the new Totonicapan fabrics for embroidery. There was so much to do.Īt last, days before the event, she summoned me up the mountain to sort through a stack of out of focus, faded Kodachromes. Beyond recruiting dancers, Rosa would have to arrange for teams to lay out samples of their work and, then, she had to name everybody who would prepare food. She would need to scour beyond Santander and go all the way to Totonicapan to find the perfect favors. Dalloway she anticipated everything but unlike Clarissa, Rosa can not just amble down to Fleet Street for her party goods. This was going to be a big production – from the pine needles on the floor to the festoons on the eaves. She wanted to celebrate her key collaborators like the government agrarian agency, MAGA, and the NGO’s like Feed the Children, Mayan Traditions and Oxlajuj B’atz that bring work and aid. But, whatever it was it was meant to chronicle the array of supporters she has garnered for her pueblo over the last two decades. (Now, Rosa is one canny Mayan woman but “Powerpoint” is not part of her daily lexicon.) She would remain mysterious about just what kind of display she was thinking about. Also, Rosa wanted me to help put part of the show together – for a while, there, she seemed to be requesting some kind of a Powerpoint presentation.

This meant we should be ready to suit-up in our Totonicapan traje and ready to dance the Mayan Welcoming Dance when the special guests got to Patanatic. She told us weeks in advance that there would be an exhibit of her projects as part of their formal welcome.

Rosa Garcia-Garcia was busy preparing for her September visitors from Feed the Children.

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